One of this year’s most anticipated books is Inferno by Dan Brown, once again taking
us into the world of Robert Langdon (The
Da Vinci Code, among others) and the secret symbolism contained in Dante Alighieri’s
Inferno, a portion of his epic poem The Divine Comedy, telling of one soul’s
tortured journey through hell, purgatory, and finally paradise guided by the poet
Virgil. I haven’t yet read Dan Brown’s
latest, but for those interested in fiction centering on Dante’s master work, I
recommend The Dante Club by Daniel
Pearl.
The Divine Comedy
was first translated into English in the late 1800s by Henry Wadsworth
Longfellow while serving on the faculty of Harvard University. The
Dante Club is a fictionalized mystery centering on Longfellow and his real-life
colleagues – Dr. Oliver Wendell Holmes (father of the great jurist), poet James
Russell Lowell and publisher J.T. Fields – who are assisting with proofreading
and critiquing his translation process.
Like academics throughout the ages, they’re up against administrative
bureaucrats who want to dictate the curriculum of the university and are
performing the translation as a labor of love.
When a series of odd deaths begin occurring in the Boston/Cambridge
area, the four friends slowly begin to realize that the deaths are punishments
portrayed in the Inferno, retribution
for particular sins that the 19th century American victims seem to
have been guilty of. Set against a
backdrop of an America rebuilding after the recent Civil War and a
Massachusetts adapting to the influx of both immigrants and former slaves, the
story not only brings aspects of Dante’s work to life but also provides a glimpse
into the growing pains of a great American metropolitan area.
The story is captivating, well researched, and highly recommended.